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Princeton, N.J.: Princeton University Press. Vanishing Paradise: Art and Exoticism in Colonial Tahiti, Berkeley: University of California Press. Iconography and Identity in Frederick Rihel's Equestrian Portrait, Kuretsky "Worldly Creation in Rembrandt Three Trees" Artibus et Historiae 1994.pdf, Govert Flinck and the Houses of Orange and Brandenburg: network and influence, India Ink: Imagery of the Subcontinent in Early Modern Europe, Shalom Sabar, Between Calvinists and Jews: Hebrew Script in Rembrandts Art, in Mitchell B. Merback, ed., Beyond the Yellow Badge: Anti-Judaism and Antisemitism in Medieval and Early European Modern Visual Culture (Leiden: Brill, 2008), 371-404, 559-573, Thoughts on the Market for Rembrandt's Portrait Etchings by Stephanie S. Dickey, Review of The New Hollstein: Rembrandt (7 vols.) The Presence, Influence and Collection of Seventeenth-Century Netherlandish Art in Hungary, Bibliography to Sehnsucht Persien/The Fascination of Persia. (ztszm) noun. 1640. The exotic first emerged as a concept in Western history when European nations began to explore and appropriate far-flung parts of the world. Spaces set aside for expatriate consumption in international four- and five-star hotel chains (such as the Safari Bar in the Hyatt in Muscat, Oman) promise a sanitized encounter with a non-European subject that guarantees the absence of emotional involvement. The Persian-European Dialogue in Seventeenth-Century Art & Contemporary Art of Teheran, Rembrandt and everyday life: the fusion of genre and history, in Arthur J. DiFuria, ed., Genre Imagery in Early Modern Northern Europe: New Perspectives, London and New York: Routledge: An Ashgate Book, 2016, 161-182. 6}letBlT%kF6p. exoticism in American English. Much of contemporary world cinema is, in addition, also transnational in terms of its modes of global cultural production and funding. For example, the documentary realist aesthetics of the Iranian New Wave films, which Nichols uses as a case study in his essay, is far too austere to qualify as exotic. ) |{)yQmiN,ax ,sT'NuX0%vV*8}i `Xus$LuY,mz@@^t\Dsw Test your vocabulary with our fun image quizzes, Clear explanations of natural written and spoken English. <> 2. exotic quality or character. The Five Concepts Of Cultural Transposition | ipl.org Realist Cinema as World Cinema: Non-Cinema, Intermedial Passages, Total Cinema. London and New York: Routledge. It also applies to the various mechanisms of transnational film funding and co-production, circulation and distribution, since the selection procedures involved tend to privilege a particular type of global art cinema that promises to appeal to (metropolitan) cinephiles (cf. Ron Shapiro (2000: 41) sums up the pejorative attitude, prevalent in particular amongst postcolonial scholars, with acerbic cynicism: To speak of the exotic [] is to condone all manner of European imperialisms and colonialisms, and to deliberately condemn the so-called sub-altern to continued misery. Yet he is actually one of the relatively few defendants of exoticism and argues that exoticism is not necessarily false and evil (42) but has a rightful place as an imaginary construction of the Other, or indeed the Self as Other, because politics and the imagination need to be kept separate. For very technical texts, where accuracy of content is king, it might be closer to -2 or -1. Likewise, we only need to consider Apichatpong Weerasethakuls films, whose radical alterity makes them extremely enigmatic, if not utterly perplexing for global audiences, to appreciate that they lack two essential characteristics of exoticism: firstly, their extreme Otherness precludes domestication, that is, integration into a familiar system of aesthetic and conceptual reference points and, secondly, they are largely devoid of the visual and sensuous allure that is a hallmark of exotic cinema.